Pope Benedict is old and scholastic; he lacks both the smile and tact of the late Pope John Paul II, who surely would not have turned for elucidation to the rigidity of Byzantine scholarship. But isn’t that why we must come to the present Pope’s defense — if for no reason other than because he has the courage to speak his convictions when others might not?
Note also the constant subtext in this new self-censorship: fear of radical Islam and its gruesome appendages of beheadings, suicide bombings, improvised explosive devices, barbaric fatwas, riotous youth, petrodollar-acquired nuclear weapons, oil boycotts and price hikes, and fist-chanting mobs.
In contrast, almost daily in Europe, “brave” artists caricature Christians and Americans with impunity. Why?
For a long list of reasons, among them most surely the assurance that they can do this without being killed. Such cowards puff out their chests when trashing an ill Oriana Fallaci or Ariel Sharon or beleaguered George W. Bush in the most demonic of tones, but prove sunken and sullen when threatened by a Dr Zawahri or a grand mufti of some obscure mosque.
Second, almost every genre of artistic and intellectual expression has come under assault: music, satire, the novel, films, academic exegesis. Somehow Europeans have ever-so-insidiously given up the promise of the Enlightenment that welcomed free thought of all kinds, the more provocative the better.
So the present generation of Europeans really is heretical, made up of traitors of a sort, since they themselves, not just their consensual governments or some invader across the Mediterranean, have nearly destroyed their won freedoms of expression — out of worries over oil, or appearing as illiberal apostates of the new secular religion of multiculturalism, or another London or Madrid bombing.
Europe boldly produces films about assassinating an American president, and routinely disparages the Church that gave the world the Sermon of the Mount, but it simply won’t stand up for an artist, a well-meaning Pope, or a ranting filmmaker when the mob closes in. The Europe that believes in everything turns out to believe in nothing.
Third, examine why all these incidents took place in Europe. Since 2000 it has been the habit of blue-state politicians to rebuke the yokels of America, in part by showing us a supposedly more humane Western future unfolding in Europe. It was the European Union that was at the forefront of mass transit; the EU that advanced Kyoto and the International Criminal Court. And it was the heralded EU that sought “soft” power rather than the Neanderthal resort to arms.
And what have we learned in the last five years from its boutique socialism, utopian pacifism, moral equivalence, and cultural relativism? That it was logical that Europe most readily would abandon the artist and give up the renegade in fear of religious extremists.
Those in an auto parts store in Fresno, or at a NASCAR race in southern Ohio, might appear to Europeans as primordials with their guns, “fundamentalist” religion, and flag-waving chauvinism. But it is they, and increasingly their kind alone, who prove the bulwarks of the West. Ultimately what keeps even the pope safe and the continent confident in its vain dialogues with Iranian lunatics is the United States military and the very un-Europeans who fight in it.
Yes, the sneering dirigiste elitists in Paris and Brussells disparage the USA while cowering before Islamic violence, which has been scourging Brussells itself during Ramadhan, to the thundering silence of a European MSM typically craven and in denial before Islamist extremists.
The whole piece is extremely cogent and a warning admonition that while it may be too late to rescue Europe from its hypocrisies and endemic weakness, the USA still has time to step up to the challenge of global terror.
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